Behind his house is an old stone building. Not only did it contain all the usual garage and shed kind of things - lawnmowers, old bikes and bits of plastic tubing etc - it also had a workshop area. Every other available bit of space, it seemed, was piled up with various chunks of wood.
It was quite dark, so I set up the off-camera flashes, much like I had with Adam Booth (see Photographing a Blacksmith), but try as I might, I wasn't happy with the results I was getting.
However, there was a window in the south wall and the sun was making a rare appearance, so I decided to see what I could do with just the available light. The downside was I had to greatly increase the ISO - which for those less familiar with the technical sides of photography, means the images tend to be noisier, or grainier.
Despite this, the results were considerably better, and once I converted them into black and white on the computer, I was quite pleased with the results. Below are the best of the bunch.
As always, feel free to click on the images for larger versions.





He looks like a man I would enjoy a drink or three with. Great pictures as usual, :-)
ReplyDeleteI love the concentration but the hands are a work of art in themselves.
ReplyDeletethe second and third ones are my favorite....beautiful....you know they're good when you'd hang them in your house without knowing the person....
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These photographs are wonderful, Kim. I feel some of your best.
ReplyDeleteThese are great, and I think the grain adds to the story. I used to get terribly upset by the noise in my images, but you, if you remember, told me to embrace it. Now I find it quite useful at times.
ReplyDeleteOh, love love love this!
ReplyDeleteMaurcheen - He does have that look :)
ReplyDeleteHope - those hands have so many years of experience...
Liz - thank you :)
Allen - thank you :)
Eryl - it's always good to get advice back that you've given out and forgotten :)
Attila - thank you :)
What great photos. I love them.
ReplyDeleteLL Cool Joe - many thanks :)
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