Wednesday, February 28, 2018

Guest Post - Mary Smith

Mary Smith is a warm, friendly and intelligent author, with an ability to translate her keen observational eye into rich worlds we can dive into.

Her experiences in Pakistan and Afghanistan make her seem fearless... until it comes to getting her photo taken.

There's a spectrum of reactions people have when a camera is pointed at them. At one end are those who instantly fall into role-play and fun and at the other are those who would rather have root canal work with no anaesthetic than sit through a portrait session. It has to be said that in the bell-curve of distribution, Mary fell into the more extreme edge of the latter.

Unfortunately, this has meant most photos do not show Mary with the twinkle in her eye you quickly come to recognise when you meet her in person. Instead, they show her looking tense and clearly not wanting to be there, which is no good for publicity images.

We've discussed the idea of me doing her portrait on and off over several years. A couple of weeks ago, she finally relented and I called round with camera and lights slung over my shoulder.

It's a while since I had a guest post on this blog, but with a writer of her calibre (not to mention it shows me in quite a good light), I couldn't resist the chance to let her tell of her experience on the other side of my camera.

So here is Mary's account of our session, and below that you can find the links to her own sites, which I would highly recommend visiting and adding to your blog lists.

Please feel free to leave comments too.

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Fighting Photo Phobia

I hate having my photo taken. I can hear an instant chorus of ‘so do I’ but I’m sure no one hates it as much as I do. It’s almost a phobia.

A camera is pointed in my direction and in an instant every muscle in my face freezes, my shoulders lift up to my ears, my chin sticks out and all the wrinkles in my neck are accentuated a hundred-fold.

The profile pics I’ve been using on Facebook, Twitter and blogs were taken by a photographer friend. I was grateful for the time and effort she took and I picked (out of many) the ones that seemed to me to be ‘not too bad’. These were taken some years ago and I knew I really ought to update them.


This was taken several years ago – time for an update

I was thinking it was time to bite the bullet and have a professional photo taken which I could use on as my social media profile and for book covers and press releases and all the rest of the things authors and bloggers need to do which seem to require a mug shot. At a party I bumped into portrait photographer Kim Ayres. Fate!?

We had a long chat. I had several glasses of wine and agreed we should meet – just to discuss the idea. Kim emailed me next day, we met and he spent time explaining why so many of us don’t like seeing photos of ourselves. It’s because we only see ourselves in the mirror so we always see a reverse image of ourselves. Other people don’t shriek in horror at our pic because they are used to seeing us that way.

I understood what he was telling me but it didn’t totally convince me. If I think I look ghastly in my photos, does that mean everyone thinks I look ghastly in real life? And does that mean that only my hairdresser knows how I see myself? Anyway, I somehow found myself agreeing to have him take my photo.

Kim suggested I pretend I have a twin sister about to have her photo taken and think what advice I’d give her. ‘Eyebrows,’ I told my mythical twin. ‘You need to get your eyebrows done.’ Off I went – no manicure, no plumping up of lips, no facial – just the eyebrows. Funny, isn’t it what can make us feel better about ourselves?

He emailed to suggest I might have a drink to help me relax as long as I promised him I didn’t become either an aggressive or a maudlin drunk. I hadn’t actually contemplated getting drunk but when he arrived with all his photographic paraphernalia it suddenly seemed like a good idea. While he had a cup of tea I mixed a gin and martini cocktail – well, I didn’t bother with the lemon peel or olive or ice or shaking it – just a good slug of each in a glass. I don’t think it helped.

What did help was chatting, listening to Kim explain all sorts of things about photography (most of which went right over my head) and telling me we would have fun and, no matter how long it took, we would get a good photo – a photo I was happy with. Thinking back, it was like he was making soothing noises to a frightened horse!

He’d asked what I wanted people to see when they looked at the photo. I said I wanted to come across as warm and friendly, someone people would want to get to know. As he took each shot it appeared on a tablet so we could see it. To start with, all I could see was ‘meah’ but something happened during the process and I began to react differently to the photos. I began to see how things changed with a tilt of the shoulder here, a movement forward there, laughing at something just before the shutter clicked, a ‘think of something naughty’, stick out your tongue. Best of all, Kim never gave that terrifying command I’ve heard from photographers – friends, professionals, family – ‘Smile!’ As someone who was a smoker, who drinks black coffee and red wine and has some unflattering NHS dental work, I’m very self-conscious about my teeth – as well as all the other major defects I immediately notice in my photos.

Kim was so relaxed, not rushing things, actually making me feel if took ten hours it would be fine with him and it did actually become fun. It took a couple of hours though, but eventually I looked at a photo and didn’t cringe. I was drawn to my eyes, which looked quite twinkly, rather than my wrinkly neck. I saw my neck, but it didn’t matter, because I realised people would look at the eyes first. Another one made me say: ‘Oh, my shoulder has moved up spoiling the line.’ Then, I realised I was looking at the whole image with a different eye. Kim was grinning.


The new profile pic

When the shoot was over I was both exhilarated and exhausted. I wanted to tell Kim to come back and we could do it again, maybe in the blue dress this time. I wanted to continue having fun because I suspected the euphoria would wear off and next time someone points a camera at me I’d freeze like before. When I need a new profile photo, I’ll definitely be calling Kim again.

Check out Kim’s website here. I’ve been looking at the amazing, exciting images on his website and thinking of all kinds of photographic possibilities then I remember I’m 63, a writer and blogger, an introvert rather than an extrovert, warm and friendly, hoping people would want to know me as I am.


I can even be in black and white or colour

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Mary Smith is a writer, freelance journalist and poet based in Dumfries & Galloway, Scotland.

She worked in Pakistan and Afghanistan for ten years, where she established a mother and child care programme providing skills and knowledge to women health volunteers. Drunk Chickens and Burnt Macaroni: Real Stories of Afghan Women is a memoir about her work in Afghanistan and the country also provides the setting for her novel No More Mulberries.

Her first poetry collection is Thousands Pass Here Every Day and her latest publication is a collection of short stories, Donkey Boy & Other Stories.

Mary has worked in collaboration with photographer Allan Devlin on two local history books: Dumfries Through Time and Castle Douglas Through Time. She is now working on Secret Dumfries with photographer Keith Kirk, to be published in summer 2018.

Blogs:
My Dad’s a Goldfish: https://marysmith57.wordpress.com
MarySmith’sPlace: https://marysmithsplace.wordpress.com

Twitter: https://twitter.com/marysmithwriter
Facebook: https://www.facebook.com/profile.php?id=100000934032543

Thursday, February 15, 2018

Set in Stone

"Set in Stone" are this year's Young Enterprise Group at Castle Douglas High School who have created a range of candle holders, paperweights, and tree decorations out of concrete and cement.

Every year, the final year pupils get the chance to be a part of a group that has to design and make a product, then market it and sell it, with any profits made going to charity. It's a wonderful opportunity to gain insight into the world of running a business.



For the past couple of years, I've been asked to take publicity photos for the enterprise groups, which have always proved to be fun, but something of a challenge too. These have not been quick press shots, but full on staged narrative promotional photos requiring concepts, planning, venue locating, and attention to props and outfits.

Last year, with "Coast to Home" we did a shoot down on the beach, with a sofa, coffee table and standard lamp half immersed in the sea (see http://kimayres.blogspot.co.uk/2017/02/coast-to-home.html).

The previous year had the "High Tea" group dressed up as characters from the Alice in Wonderland (see http://kimayres.blogspot.co.uk/2015/12/a-mad-hatters-tea-party.html).

This year's group wanted to have a mix of smart entrepreneurial and industrial, and they had the ideal location in mind. One of team, Ella, happened to be the daughter of Adam Booth, an artist blacksmith who was quite happy for us to use his forge as a venue.

I photographed Adam there a few years ago for a project I was involved in (see http://kimayres.blogspot.co.uk/2014/02/photographing-blacksmith.html) so was familiar with the space. However, I also recalled that getting the lighting right was particularly tricky. The overhead strip lights weren't conducive to dramatic shadows, but if I used flashes they ran the risk of overpowering the glow of the fire and hot metal.

Fortunately nearly 4 years have passed and I've since discovered the wonder of coloured gels, which enable me to enhance or even completely change the ambient tones.

The plan was to have 5 pupils in suits wearing hard hats and half a boiler suit each, with an anvil in front of them displaying some of their products, and the flames of the forge behind. And if we were lucky, try and get a bit of a cement mixer into the shot too.

It became apparent very quickly that 5 was too many for the space, and the half-in-half-out look of the boiler suits wasn't working, so we dropped to 4 pupils in the shot - 2 with boiler suits, and 2 without.

In addition to my key light, I set up another flash with an orange gel, and a third with a blue – which made the orange feel like an ambient glow, rather than washing out everything.

As suspected though, the use of the flashes destroyed the natural glow of the forge, so Adam used a torch to shoot flames into the corner of the forge that was showing in the photo, while the pupils adopted their best "The Apprentice" style postures and attitude.



Feeling pleased that we had a photo that embodied everything we set out for, Adam suggested we give the pupils some tools to hold – from a big sledgehammer to a circular saw. And this time, Adam shot flames up behind them too.



Although we've managed it the past 2 years, there's never a guarantee of a Dumfries and Galloway Life cover so I didn't want to get anyone's hopes up. However, the March edition is now out and to everyone's delight we made the front cover after all.



Getting a great shot isn't just down to my knowledge of light, composition and storytelling. The kind of photography I do is a collaboration with everyone involved, so if it wasn't for the professionalism and commitment of the pupils we'd never have got a cover-worthy photo.

It was a delight working with them.

Wednesday, February 14, 2018

Meg is 20

Valentine's Day is something that happens to other people.

In our house, for the past 2 decades, February 14th has been associated with our daughter, Meg.

20 years ago, just a few minutes past midnight, she came into this world.

3 days later, while we were still trying to come to terms with the fact she had Down's Syndrome, we had to take her back to the hospital. She was struggling to feed. In fact she was barely waking up. She was shutting down to die.



At that point, the Down's seemed pathetically irrelevant. All we wanted was for our little girl to live.

2 weeks in the hospital, being fed through a tube, with Maggie constantly at her side, she recovered enough to come home again.

Still she struggled to feed and after a while the doctor thought he heard a heart murmer. Tests revealed a small hole in her heart.

At 5 months old, Meg had to have open heart surgery to repair it.

While her chest was open, and her heart was being bypassed by a machine pumping the blood around her system for her, they discovered not only did she have a small hole in her heart, she had several more. And a big one as well.

Much work was done.

2 weeks after that, she came home again, but this time she fed more easily and grew stronger.

Today, our baby is now 20 years old. Strong, healthy, and truly wonderful.



Happy Birthday Meg!